The Spirit Of Ecstasy
After a year of intensive, almost meditative work — a period devoted to selection, reflection, and the conscious construction of a cohesive vision — a collection of several dozen exceptional prints by the Artist has emerged.
Each impression has been printed by hand on the noble papers of the Hahnemühle manufactory, whose history dates back to the sixteenth century and which, for centuries, has remained synonymous with the highest standards of quality in the world of fine art. The framing process itself was approached as an integral act of creation. In collaboration with a renowned Italian frame atelier, hundreds of mouldings were carefully considered before a single design was selected —the most balanced, the most refined, the most discreet. Rather than competing with the artwork, the frame enters into a quiet and elegant dialogue with it. The delicacy of its form and the perfection of its craftsmanship reveal the depth of light, the richness of the paper, and the extraordinary precision of the mezzotint, enhancing its timeless character.Each work has been mounted using museum-grade conservation materials and protected by museum glass, which not only preserves the artwork but allows it to breathe with light — without reflections, without distractions, in the pure presence of the image itself.

Completing the edition are bespoke collector’s presentation boxes, handcrafted and designed with the understanding that encountering art should be experienced as a ritual rather than a transaction. Their interiors, lined with precision-cut protective foam, cradle each work like a precious relic, ensuring both absolute security and a worthy environment for storage and transport.
Every print is accompanied by an individual Certificate of Authenticity and an information card, serving not merely as documentation of its uniqueness but as an invitation into a broader collector’s narrative—one that positions each work as an enduring object of art rather than a fleeting possession.
This is not simply a collection of prints.
It is an experience—both material and spiritual—of encountering form, light, and word. An experience where craftsmanship meets poetry, where shadow gives birth to light, and where the timeless dialogue between literature and visual art finds a new and compelling expression.







